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  <id>urn:lj:livejournal.com:atom1:burnunit</id>
  <title>his word-hoard unlocked</title>
  <subtitle>(all that you know I know)</subtitle>
  <author>
    <name>Jon Olsen</name>
  </author>
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  <updated>2009-11-16T16:41:15Z</updated>
  <lj:journal userid="956644" username="burnunit" type="personal"/>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:379185</id>
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    <title>Cecil B. DeMille's Saturday Night, movie poster, 1922</title>
    <published>2009-11-16T16:41:15Z</published>
    <updated>2009-11-16T16:41:15Z</updated>
    <content type="html">&lt;div class="flickr-frame"&gt;	&lt;a href="http://www.flickr.com/photos/trialsanderrors/4090135516/" title="photo sharing"&gt;&lt;img src="http://farm3.static.flickr.com/2698/4090135516_5bc5d154aa.jpg" class="flickr-photo" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;	&lt;span class="flickr-caption"&gt;&lt;a href="http://www.flickr.com/photos/trialsanderrors/4090135516/"&gt;Cecil B. DeMille's Saturday Night, movie poster, 1922&lt;/a&gt;, originally uploaded by &lt;a href="http://www.flickr.com/people/trialsanderrors/"&gt;trialsanderrors&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;				&lt;p class="flickr-yourcomment"&gt;	this is ripe for a space lounge poster next year&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:364819</id>
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    <title>"could you just use bacon fat and red wine?"</title>
    <published>2009-09-18T19:34:58Z</published>
    <updated>2009-09-18T19:37:08Z</updated>
    <category term="food"/>
    <content type="html">Joel Robuchon appeared on Top Chef recently and I had a sudden heightened understanding of something that's nagged at me for a while. I put this in a comments thread on facebook, but I wanted to capture it here in one place. &lt;br /&gt;&lt;br /&gt;Robuchon was tasting what a chef called "deconstructed bernaise" and was praising the dish. But he used the word "décomposée" for the sauce. It would seem that the French, who know a thing or two about Deconstruction (a Frenchman having invented the concept), use the phrase "décomposée" to refer to the action American chefs call "deconstruction," the breaking down and recomposing a dish from its elements in order to evoke both the original form and delight the diner with something different . Bryan and Mike I. did a wonderful job on the "deconstruction" (&lt;a href="http://www.bravotv.com/foodies/recipes/warm-cured-trout-with-deconstructed-beacutearnaise"&gt;here is the recipe&lt;/a&gt;) &lt;br /&gt;&lt;br /&gt;But what Everyone Else calls "deconstruction" the Chef of the Century calls "décomposée." This should Not be overlooked!&lt;br /&gt;&lt;br /&gt;It is a significant reframing of a major culinary trend of the last several years: chefs are Not performing deconstruction, because Deconstruction is a literary and philosophical movement, not a culinary one! Deconstruction concerns itself with identifying the logocentric nature of texts (and granted they extend "text" to all corners so that a recipe Could be a text) and shearing the words off from each other as the dominant center becomes alienated from the peripheral Others.&lt;br /&gt;&lt;br /&gt;Decomposée on the other hand does almost the Opposite of deconstruction because while it identifies a center—in last night's case Bernaise sauce—its intent is to actually &lt;em&gt;reify&lt;/em&gt; that center through the constituent parts. Décomposée as performed by chefs reaffirms the primacy of a recipe and invokes its core emotional impact through the reframing of its ingredients. Deconstruction deliberately sets out to imbalance and overthrow the center, and is, as currently used by many cooks, inappropriate for culinary context.&lt;br /&gt;&lt;br /&gt;I've never been able to put my finger on why "deconstructed" has felt like such an inadequate—inaccurate!—term in the mouths of chefs. Until Robuchon showed me the way by his fundamentally more accurate description using the term "décomposée."&lt;br /&gt;&lt;br /&gt;I believe I lack the cooking skills to conceptualize how one might &lt;em&gt;deconstruct&lt;/em&gt; a dish the way one might a literary text. I mean I &lt;em&gt;barely&lt;/em&gt; understand basic concepts of literary deconstruction! But it would be an exercise worth considering. I'd like to eat some more foods done décomposée, but I'd also like to see someone take the dare of trying actual deconstruction. &lt;br /&gt;&lt;br /&gt;Perhaps for starters it would be very difficult to do properly in a fine dining context because once you start the deconstruction process, you're going to rapidly run into the cultural price paid to enjoy the surroundings . . .</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:364115</id>
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    <title>six is a preview of sixteen</title>
    <published>2009-09-17T00:31:16Z</published>
    <updated>2009-09-17T00:31:16Z</updated>
    <category term="recovery"/>
    <content type="html">As of &lt;strong&gt;today&lt;/strong&gt; I've been in the program for six months—I'll get a medallion for it tomorrow, actually. I'm working through step eight, and the spiritual part of my life is enlarging a fair amount. It happens I've also lost ninety-three (93) pounds in that time. &lt;br /&gt;&lt;br /&gt;When you get a certain amount of abstinence, and you begin feeling physical recovery, and you get through "digesting some large chunks of yourself" (particularly the fourth and fifth steps), you kind of get to start over. You start over, in a manner of speaking, where you left off. More or less at the time when your addiction first manifested as a means of stuffing away facing problems or feeling real emotions. In my case this is somewhere between six and nine. I feel a certain accord with my child, believe me, and sometimes have a sense of... anguish, strong emotions, even the occasional tantrum. I'm also practicing some weird things I never did before—weird for me, I mean. These include not apologizing much anymore.  And an awful lot of live and let live. I'm strangely unconcerned about some things (also, not-strangely-at-all, &lt;em&gt;quite&lt;/em&gt; concerned about others) that used to really bother me. I am stronger in a lot of dimensions, and off kilter in others. I'm like a kitten (with a lot less noms) or maybe a calf or a juvenile robin. Yes?  I've been singing more. &lt;br /&gt;&lt;br /&gt;My life is completely different than it was a year ago. Almost entirely for the better.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:362691</id>
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    <title>makin nice = bullshit</title>
    <published>2009-09-11T15:19:44Z</published>
    <updated>2009-09-11T16:24:36Z</updated>
    <category term="politics"/>
    <content type="html">I was all set to embrace Joe Wilson's apology. &lt;br /&gt;&lt;br /&gt;Joe, you are a complete asswipe if you think we are going to take you at face value when less than 24 hours after you apologize you go on &lt;em&gt;Sean Hannity&lt;/em&gt; to get your ego stroked and post videos about how you're going to "keep fighting." &lt;br /&gt;&lt;br /&gt;To me, your behavior counts, and your behavior is that of a person who A) acted like a BABOON, then B) made an apology for acting like a BABOON, then C) im&lt;em&gt;fucking&lt;/em&gt;mediately went on a right wing talk show to talk about how you're going to keep on fightin. This is hipocrisy, and it renders your apology completely disingenuous. Fuck you Joe, I'm going to "keep attacking" like the rest of the so-called "Left." Fuck you. &lt;br /&gt;&lt;br /&gt;At heart, I'm an immature teenage boy. Thank you Joe, your behavior permits me to let this part of my id continue to act like one in your direction you warthog-faced buffoon. &lt;br /&gt;&lt;br /&gt;&lt;lj-embed id="33" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"There has also been a proposal for a tax credit that would help people buy coverage from the exchange who couldn't otherwise afford to do so. But &lt;strong&gt;the House bill specifically says illegal immigrants aren't eligible&lt;/strong&gt; for that credit, and despite Republicans' claims, there are mechanisms in place to enforce that restriction." -&lt;a href="http://www.salon.com/politics/war_room/2009/09/10/wilson_immigrants/index.html"&gt;Salon&lt;/a&gt; article, emphasis mine.&lt;br /&gt;&lt;br /&gt;Joe's apology-cum-defiance is the moral equivalent of the following:&lt;br /&gt;&lt;lj-embed id="34" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:362484</id>
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    <title>St. GermainIA!</title>
    <published>2009-09-11T15:07:42Z</published>
    <updated>2009-09-11T15:07:42Z</updated>
    <category term="booze"/>
    <content type="html">I love the elderflower liqueur St. Germain. We recently tried their own recipes for the &lt;br /&gt;&lt;b&gt;French Gimlet&lt;/b&gt;&lt;br /&gt;2 oz. gin&lt;br /&gt;1.25 oz. st germain&lt;br /&gt;.5 oz fresh lime juice&lt;br /&gt;&lt;br /&gt;and the&lt;br /&gt;&lt;b&gt;St. Rita&lt;/b&gt;&lt;br /&gt;1.5 oz. tequila&lt;br /&gt;1.5 oz. St Germain&lt;br /&gt;.5 oz fresh lime juice&lt;br /&gt;&lt;br /&gt;Both very fun twists on the original. I also use it lightly in several other cocktails. It's &lt;em&gt;quite sweet&lt;/em&gt;, almost cloying. But right now the &lt;b&gt;big news&lt;/b&gt; is that Liquor Barrel in Golden Valley has St. Germain for about &lt;strong&gt;NINE DOLLARS less&lt;/strong&gt; than the cheapest places I've found in the Cities. Get thee there to try this gorgeous, unique spirit. The &lt;em&gt;fin de siecle&lt;/em&gt; bottle alone is worth half the price!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:361727</id>
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    <title>The Lucy Ricardo</title>
    <published>2009-09-10T05:04:50Z</published>
    <updated>2009-09-10T05:04:50Z</updated>
    <category term="booze"/>
    <content type="html">1 oz. light whisky (I used Powers Irish)&lt;br /&gt;1 oz. akvavit&lt;br /&gt;3/4 oz. fresh orange juice (may go as low as 1/2 oz)&lt;br /&gt;1/2 oz. dry vermouth (may also use lillet blanc)&lt;br /&gt;1 dash peychaud's bitters&lt;br /&gt;&lt;br /&gt;Shake with ice, strain over a few cubes of ice in an old fashioned glass.&lt;br /&gt;Then I used a syringe to gently dress the drink with &lt;br /&gt;5ml Macallan's Fine Oak scotch&lt;br /&gt;&lt;br /&gt;Enjoy. &lt;br /&gt;&lt;br /&gt;I feel like I finally got the balance right on this one. Other variants included 1.5oz akvavit (too much) and subbing rye for the irish (imbalanced), more bitters (2 large dashes was too much) and the original left out the scotch. However, stealing from the Bradstreet the use of a scotch to insert some interesting aroma and other elements.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:360011</id>
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    <title>we're like drunks</title>
    <published>2009-09-04T12:20:12Z</published>
    <updated>2009-09-04T12:20:12Z</updated>
    <category term="politics"/>
    <content type="html">Completely oblivious to our own simultaneously hilarious and horrifying stumbling and staggering around, unable to keep basic facts straight, ready to do anything—even, and especially, to lie—to get some mean little satisfaction. Madness. Every president talks to kids. Bush I made an address to the schools. Bush II liked to read them stories. Come on, America, sober up and calm down.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:356942</id>
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    <title>The Exposition</title>
    <published>2009-08-25T02:59:57Z</published>
    <updated>2009-08-25T16:22:07Z</updated>
    <category term="booze"/>
    <content type="html">&lt;p&gt;A new drink I'm really proud of--I guess I'm doing my own mixology Monday. Wonder what the topic is.&lt;/p&gt;&lt;p&gt;I like the name Exposition, and I think it's apt.&lt;/p&gt;&lt;p&gt;&lt;b&gt;The Exposition&lt;/b&gt;&lt;br /&gt;1.5 oz akvavit &lt;br /&gt;.75 oz dry vermouth&lt;br /&gt;.5 oz Ginger infused gin&lt;br /&gt;Half a Valencia orange&lt;br /&gt;4 basil leaves-1 large, 3 small or to taste&lt;br /&gt;Soda&lt;/p&gt;&lt;p&gt;Prep ahead of time: To make ginger gin, peel and shred about 3 inches of ginger root into 12 oz of gin. Rest for at least two weeks at room temperature, stirring every couple days. Strain and store. &lt;/p&gt;&lt;p&gt;In mixing glass put  orange half (cut into four pieces) muddle with torn large basil leaf and one small one. Add ginger infused gin and muddle a little more to mix. Add ice, akvavit, and vermouth. Stir or shake until well chilled. Strain. If desired up, strain into cocktail glass, smack remaining basil leaves and garnish. &lt;/p&gt;&lt;p&gt;OR smack basil, drop into an old fashioned glass along with ice, strain cocktail into glass and top with soda. Extremely light and refreshing!&lt;/p&gt;&lt;p&gt;Variations to try: 1oz vermouth, less orange, more basil, ginger liqeuer, whisky instead of akvavit.&lt;/p&gt;&lt;p&gt;A little fussy, but very summery and fun.&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;small&gt;Posted via &lt;a href="http://community.livejournal.com/cosysoftware_en/"&gt;LiveJournal.app&lt;/a&gt;.&lt;/small&gt;&lt;/em&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:355915</id>
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    <title>ELCA votes, no one notices. Yet.</title>
    <published>2009-08-22T04:13:35Z</published>
    <updated>2009-08-22T04:17:59Z</updated>
    <category term="theology"/>
    <content type="html">The distance between fornication (of any kind) and &lt;em&gt;sexuality&lt;/em&gt; is almost so vast as to be immeasurable. The ferocity of our doctrines are simply not reflected in the deep lacunae of our scriptures, despite efforts to make them so. The scriptures do repeatedly condemn all manner of actions. Time and again, and with an almost calculable glee, the bible in many iterations attacks and describes the wrack and wreckage of God's devastation and condemnations of abomination. &lt;br /&gt;&lt;br /&gt;They are silent like the stilled storm, however, on the subject of the whole person who has a sexual &lt;em&gt;identity&lt;/em&gt;. Identity in our texts is a much broader, deeper wellspring: people of God, chosen, called, redeemed, &lt;em&gt;shibbolethed&lt;/em&gt; and circumcised, numberless like the stars. Old Adam and New Adam, killed by letter and made alive by spirit, dead and alive, sleeping and awake, first &lt;em&gt;and last&lt;/em&gt;. Eschatologically entitled Son of Man. These are the threads of identity the scriptures spin, which we are summoned to weave. &lt;br /&gt;&lt;br /&gt;We are graced with skilled hands to do so, and set to our painstaking work by a Spirit that demands—and creates a faith to receive—no less than &lt;em&gt;total. faithful. action.&lt;/em&gt; to make incarnate the reality that there are &lt;em&gt;no accidents&lt;/em&gt;, there is only &lt;em&gt;a love that makes reality real&lt;/em&gt; which is itself determined to love the littlest and least, so determined that it would rather not exist than exist as anything but &lt;em&gt;love for you&lt;/em&gt;. That work is so deliberate sometimes, and so many grow so impatient with our fumbling fingers. &lt;br /&gt;&lt;br /&gt;Forgive our delays, brothers and sisters. We were staring into the void, and we forgot who we were.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:355380</id>
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    <title>lucky 13</title>
    <published>2009-08-17T21:36:52Z</published>
    <updated>2009-08-17T21:36:52Z</updated>
    <content type="html">I'm in a much different place than I was six months ago. This is a big year, and our marriage is in a much better place than it was. This is not bragging, this is an acknowledgement of facts. (the bragging comes later) Anyway, it's kind of been the best year of our marriage. I hope we make it at least thirteen more, gawsh! (I'm hoping for at least four more 13s. With medical science, maybe six!) I'm really excited about all this.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:355127</id>
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    <title>chchchchanges</title>
    <published>2009-08-06T23:51:09Z</published>
    <updated>2009-08-06T23:51:09Z</updated>
    <content type="html">&lt;em&gt;This is not an official announcement...&lt;/em&gt; (that's already been made)&lt;br /&gt;You might have heard there was a big change in CONvergence and MISFITS' relationship. You heard right—we voted unanimously (that is, 12-0) as a board of directors to spin off CONvergence from the Minnesota Society for Interest in Science Fiction and Fantasy (MISFITS) into its own 501c3 organization. The details of these changes will be worked out by January 1, 2010. A set of changes to the bylaws have been officially submitted to the organization (it requires 30 days minimum review before such changes are completed). After 1/1/10, management of each organization will no longer be overseen by the board of 12. Revenue donation will continue at current levels &lt;em&gt;at &lt;strong&gt;least&lt;/strong&gt; through the 2011 convention cycle &lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Someone asked me (in private so I won't say who) what the "party line" was going to be on this decision. There is no party line, only a decision by each of twelve different directors, very likely each for their own reasons. &lt;br /&gt;&lt;br /&gt;Instead of feeding you any party line, I'll tell you the truth: 1) I made the motion to divide into two and set the timeline; 2) I submitted the draft revision of the bylaws; 3) I not only voted for the motion (obviously since it was &lt;em&gt;unanimous&lt;/em&gt;), I spoke passionately in its favor. I'm not trying to take undue credit, I just want it known where I stand.&lt;br /&gt;&lt;br /&gt;This is going to be &lt;em&gt;big&lt;/em&gt;, people.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:354995</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/354995.html"/>
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    <title>movies</title>
    <published>2009-07-31T04:14:36Z</published>
    <updated>2009-07-31T04:14:36Z</updated>
    <category term="movies"/>
    <content type="html">I keep saying how I haven't watched many movies in the last several years, but this year &lt;em&gt;is&lt;/em&gt; different. I have gotten to watch more thanks to Netflix. &lt;br /&gt;&lt;br /&gt;I haven't kept studious track like my friends do (like with #s and everything? jesus, you guys!) but it's gone up. And I've gotten to be fast and loose with it too--some serious shit, some crazy shit. &lt;br /&gt;&lt;br /&gt;Like today. Today I watched The House Bunny. It was exceedingly predictable and formulaic. You know what? I didn't care. You know why? Anna Faris. a) she's super talented. She did some really tremendous acting with her face, her commitment and her voice. and b) she's pretty smokin hot. But she's not alone. I'm really quite charmed by Tom Hanks' kid, and that Emma Stone gal who was also in Superbad. So on the balance, worth netflixing. &lt;br /&gt;&lt;br /&gt;This is good. I feel like I'm sorta...human again...</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:354589</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/354589.html"/>
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    <title>Pedras e Nuvens</title>
    <published>2009-07-30T02:54:20Z</published>
    <updated>2009-08-25T16:23:21Z</updated>
    <category term="booze"/>
    <content type="html">&lt;b&gt;Pedras e Nuvens&lt;/b&gt;&lt;br /&gt;1 oz. cachaça &lt;br /&gt;1 oz. gin&lt;br /&gt;1/2 oz. St. Germaine&lt;br /&gt;1/4 oz. maraschino&lt;br /&gt;1/2 oz. fresh lemon juice&lt;br /&gt;3 dashes orange bitters swirled in cocktail glass&lt;br /&gt;stir with ice until chilled, pour into glass &lt;br /&gt;&lt;br /&gt;Light, fruity, nice balance of rough &amp; smooth, earthy and floral. might try with different citrus and/or more flavorful gin (might work loverly with one of those novelty lime gins or with Hendricks--which is not to be thought of as a "novelty gin" I realize) &lt;br /&gt;&lt;br /&gt;I was thinking of The Sugarloaf since there's a granite &amp; quartz mountain in Brazil, which appeared in Moonraker I believe. Or The Corcovado, which is the mountain where the Christ the Redeemer statue stands in Rio. The Corcovado would reflect the Brazilian character of the cachaça as well as the light airiness of the drink (and I suppose the clouds and pristine stone of the statue). The evening started as further exploration of The Aviation, remember...</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:354455</id>
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    <title>#1 with a bullet!</title>
    <published>2009-07-23T16:31:03Z</published>
    <updated>2009-07-23T16:31:03Z</updated>
    <category term="politics"/>
    <content type="html">&lt;lj-embed id="32" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:354129</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/354129.html"/>
    <link rel="self" type="text/xml" href="http://burnunit.livejournal.com/data/atom/?itemid=354129"/>
    <title>From Twitter 07-19-2009</title>
    <published>2009-07-20T07:05:20Z</published>
    <updated>2009-07-20T07:05:20Z</updated>
    <content type="html">&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;br /&gt;&lt;ul class="loudtwitter"&gt;&lt;li&gt;&lt;a href="http://twitter.com/burnunit/statuses/2718452969"&gt;01:23:49&lt;/a&gt;: omg, I cannot wait to see @&lt;a href="http://twitter.com/wilw"&gt;wilw&lt;/a&gt; on Leverage&amp;amp;#2014;where've I been? I've always loved Timothy Hutton, but damn, that's a fine piece of television!&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://twitter.com/burnunit/statuses/2727231096"&gt;15:56:37&lt;/a&gt;: RT @&lt;a href="http://twitter.com/thaco"&gt;thaco&lt;/a&gt; Just heard that THACO came in a (very) close second for an Origins fan favorite award. Congrats to The Gamers: Dorkness Rising&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;Tweets copied by &lt;a href="http://twittinesis.com"&gt;twittinesis.com&lt;/a&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:354047</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/354047.html"/>
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    <title>In newer news</title>
    <published>2009-07-09T17:17:56Z</published>
    <updated>2009-07-09T17:17:56Z</updated>
    <category term="community"/>
    <category term="convergence"/>
    <content type="html">Please consider joining our conversation about the next possibilities for our diverse community. This touches the participants in CONvergence, Anime Detour, MISFITS, Marscon, Minicon, Gaylaxicon, Mn-Stf, Omegacon, and more and more. . .&lt;br /&gt;&lt;br /&gt;&lt;a href="http://leagueofwonders.wordpress.com"&gt;http://leagueofwonders.wordpress.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We began talking about big inter-community projects this year. There have been conversations at MN Society for Interest in Science Fiction and Fantasy open meetings. There have been conversations at &lt;em&gt;closed&lt;/em&gt; meetings too. There was a wonderfully interesting panel at CONvergence last week on the subject of a "geek community center."  That panel will likely make an appearance at other conventions. &lt;br /&gt;&lt;br /&gt;Well we also want to have a public conversation with the members of the communities in which we are active. About joint efforts, about structure, about autonomy and interdependence, and about where we go from here. About what we could do if we start dreaming out loud. &lt;br /&gt;&lt;br /&gt;That conversation lives here for now: &lt;a href="http://leagueofwonders.wordpress.com"&gt;http://leagueofwonders.wordpress.com&lt;/a&gt; and I invite you to take part. Share this info with others and get in on the action. Today!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:353669</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/353669.html"/>
    <link rel="self" type="text/xml" href="http://burnunit.livejournal.com/data/atom/?itemid=353669"/>
    <title>Let's get this started!</title>
    <published>2009-07-09T05:20:39Z</published>
    <updated>2009-07-09T17:12:49Z</updated>
    <content type="html">Okay! So, I suppose if I find the time, I'll write more than one of these types of posts, expanding on &lt;em&gt;my issues&lt;/em&gt;, over the next several days. The usual disclaimer applies: YES, I am a director of the CONvergence convention. NO, my statements below do not represent official CONvergence policy. YES, I recognize that this does not &lt;em&gt;absolve&lt;/em&gt; me of making misstatements or troubling claims.  But you &lt;em&gt;must&lt;/em&gt; know that the following is not official.   Not &lt;em&gt;by a long shot&lt;/em&gt;. Yet. &lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;CONVERGENCE IS DEAD. Long Live CONvergence!&lt;br /&gt;So what killed CONvergence &lt;em&gt;this&lt;/em&gt; year? &lt;ul&gt;&lt;li&gt;too many people&lt;/li&gt;&lt;li&gt;too many events&lt;/li&gt;&lt;li&gt;too few events&lt;/li&gt;&lt;li&gt;too many days&lt;/li&gt; &lt;li&gt;too many drunks&lt;/li&gt;&lt;li&gt;too much sex&lt;/li&gt; &lt;li&gt;too much money&lt;/li&gt;&lt;li&gt;too corporate&lt;/li&gt;&lt;li&gt;too young&lt;/li&gt;&lt;li&gt;too old&lt;/li&gt;&lt;li&gt;too many fatties&lt;/li&gt;&lt;li&gt;too many skinny bimbos&lt;/li&gt;&lt;li&gt;too many polys&lt;/li&gt;&lt;li&gt;too many Klingons&lt;/li&gt;&lt;li&gt;too many leather queens&lt;/li&gt;&lt;li&gt;too much Bowie&lt;/li&gt;&lt;li&gt;too many kids&lt;/li&gt;&lt;li&gt;too many adult things&lt;/li&gt;&lt;li&gt;too much rice&lt;/li&gt;&lt;li&gt;too many m&amp;amp;ms&lt;/li&gt;&lt;li&gt;too much Windy&lt;/li&gt;&lt;li&gt;too little Jon O&lt;/li&gt;&lt;li&gt;too few movies&lt;/li&gt;&lt;li&gt;too many guests&lt;/li&gt;&lt;li&gt;too little face time with Cinematic Titanic&lt;/li&gt;&lt;li&gt;too much Brian Keene&lt;/li&gt;&lt;li&gt;too much art&lt;/li&gt;&lt;li&gt;too few dealers&lt;/li&gt;&lt;li&gt;too many dealers&lt;/li&gt;&lt;li&gt;too many corsets&lt;/li&gt;&lt;li&gt;too many hotel charges &lt;/li&gt;&lt;li&gt;too far away&lt;/li&gt;&lt;li&gt;too little parking&lt;/li&gt;&lt;li&gt;too few panels&lt;/li&gt;&lt;li&gt;too many panels&lt;/li&gt;&lt;li&gt;too little humor guests&lt;/li&gt;&lt;li&gt;too many kissing girls&lt;/li&gt;&lt;li&gt;too few conversations&lt;/li&gt;&lt;li&gt;too little pool time&lt;/li&gt;&lt;li&gt;too much ASL&lt;/li&gt;&lt;li&gt;too little ASL&lt;/li&gt;&lt;li&gt;too many decibels&lt;/li&gt;&lt;li&gt;too many ravers&lt;/li&gt;&lt;li&gt;too much non science&lt;/li&gt;&lt;li&gt;too many skeptics&lt;/li&gt;&lt;/ul&gt;Now let me ask you a very simple and clear question: &lt;strong&gt;SAYS WHO?&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;You because you've been coming since the beginning? You because you're new? You because you know what real conventions &lt;em&gt;should&lt;/em&gt; have and this isn't it? Opinions about "what's wrong with CONvergence" are as varied as the stars. They grow out of expectations people have. Expectations about what &lt;em&gt;other people&lt;/em&gt; are making &lt;em&gt;for&lt;/em&gt; them. &lt;br /&gt;&lt;br /&gt;You know what an expectation is? It's a resentment waiting to happen. We all get them, resentments. What's our way out of them? Make choices. Make a choice. I can take it if you choose to take your dollars elsewhere. I'll probably even listen to you when you make that threat. I can take it if you choose to join the convention committee and work to add the events, programming, parties, and hospitality elements that you feel the convention needs...&lt;br /&gt;&lt;br /&gt;AND if in so doing you a) change what &lt;em&gt;I like&lt;/em&gt; about the convention or even b) find a way to remove me from my position where I help set policies and make decisions about what kind of convention this is going to be ...&lt;strong&gt;I can take it&lt;/strong&gt;. Know &lt;em&gt;why&lt;/em&gt; I can take it? Because I'm a &lt;em&gt;grown up&lt;/em&gt;. I'm also someone who volunteered, who stood for election, who paid his registration, and who considers himself a part of the community and is passionate about seeing it go in particular directions. And the people that I made commitments to in the last election, and in my daily supervision of eight departments, have shown a certain willingness to come along with me. &lt;em&gt;We're over here making our convention&lt;/em&gt; and we invite you to join us again next year. &lt;br /&gt;&lt;br /&gt;I can &lt;em&gt;take&lt;/em&gt; your decisions because I &lt;em&gt;grew the hell up!&lt;/em&gt; When you can say the same, then you can look me in the eye and tell me that you know &lt;em&gt;definitively&lt;/em&gt; what the hell is wrong with my convention. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Until&lt;/em&gt; then, you are a part of the rest of the community, and your opinion is no more privileged than anyone else's. There's a &lt;em&gt;lot&lt;/em&gt; of stuff we're going to fix this year in anticipation of next year. &lt;em&gt;A LOT&lt;/em&gt; of it comes from the feedback we get from people, including many of the things on that list up there. &lt;br /&gt;&lt;br /&gt;Because that list up there is not even a joke. There's probably three thousand more items that could go on it that &lt;em&gt;someone&lt;/em&gt; felt was "too __________". Three thousand nine hundred and sixty six to be exact. Next year, I look forward to hearing about the forty three hundred straws that break the collective camel. The plain fact is, those things aren't even true. There wasn't too much or too little this or that, there was too much for some people and not enough for others. We work to improve constantly, and occasionally we're wrong and occasionally we're right. It's ambiguous victories, unpredictable successes. &lt;br /&gt;&lt;br /&gt;If high unpredictability and ambiguities really truly will not work for you... honestly? This is probably not your convention. &lt;br /&gt;&lt;br /&gt;But if you &lt;em&gt;really think CONvergence is broken?&lt;/em&gt; If you &lt;em&gt;so&lt;/em&gt; don't like something that it shatters for you any possibility of our con being a good con? Well giddyup and make a choice from at &lt;em&gt;least&lt;/em&gt; these three options: Work to change it, examine your own expectations, or go somewhere else.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:346144</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/346144.html"/>
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    <title>oops I missed my planned update by a couple...</title>
    <published>2009-06-05T03:42:17Z</published>
    <updated>2009-06-05T03:42:17Z</updated>
    <category term="convergence"/>
    <content type="html">&lt;strong&gt;27 days until CONvergence&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;This is the one. &lt;br /&gt;&lt;br /&gt;CONvergence. &lt;br /&gt;&lt;br /&gt;Tell your friends.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:341851</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/341851.html"/>
    <link rel="self" type="text/xml" href="http://burnunit.livejournal.com/data/atom/?itemid=341851"/>
    <title>budget saving ideas</title>
    <published>2009-05-19T20:50:04Z</published>
    <updated>2009-05-19T20:50:04Z</updated>
    <category term="politics"/>
    <content type="html">The MinnPost listed this address in an article recently where they said "He even said there's the public to advise him: People can send their thoughts on what should be cut to &lt;a href="mailto:budgetideas@state.mn.us"&gt;budgetideas@state.mn.us&lt;/a&gt;."  So I did. Here's what I just sent to the address in question:&lt;br /&gt;&lt;br /&gt;Governor Pawlenty,&lt;br /&gt;&lt;br /&gt;Here's my ideas&lt;br /&gt;1. Cut the governor's pay&lt;br /&gt;2. Remove the governor's motor pool &lt;br /&gt;3. Eliminate the governor's health insurance&lt;br /&gt;4. Reduce any matching funds for the governor's 401K or other retirement accounts&lt;br /&gt;5. Restrict the governor's travel allowance&lt;br /&gt;6. Reduce the governor's paid vacation days&lt;br /&gt;7. Reduce the governor's paid illness days&lt;br /&gt;8. Reduce the governor's staff&lt;br /&gt;9. Eliminate exterior lighting on the governor's mansion&lt;br /&gt;10. Eliminate the governor's mansion entirely and request that he telecommute. &lt;br /&gt;11. Ask Grover Norquist for a loan, he apparently is writing the rest of your policy decisions, so he must be very important and therefore wealthy. &lt;br /&gt;12. Replace the governor with the current Secretary of State&lt;br /&gt;&lt;br /&gt;Governor, I really loathe your policies and I hope this is the end of the line for your political career. &lt;br /&gt;&lt;br /&gt;Jon Olsen&lt;br /&gt;Minneapolis</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:340104</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/340104.html"/>
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    <title>An icon-relevant observation</title>
    <published>2009-05-14T02:13:57Z</published>
    <updated>2009-05-14T02:13:57Z</updated>
    <category term="movies"/>
    <content type="html">&lt;p&gt;In Zardoz, the tiny projection screen from Arthur Frayn's ring showed a list of Vortex needs. The words had different spellings, phonetic, use of z for plurals. So the movie actually prefigures our present day alterations/distortions of the language! We got there hundreds of years ahead of schedule!&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;small&gt;Posted via &lt;a href="http://community.livejournal.com/cosysoftware_en/"&gt;LiveJournal.app&lt;/a&gt;.&lt;/small&gt;&lt;/em&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:339830</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/339830.html"/>
    <link rel="self" type="text/xml" href="http://burnunit.livejournal.com/data/atom/?itemid=339830"/>
    <title>burnunit @ 2009-05-13T09:41:00</title>
    <published>2009-05-13T14:53:41Z</published>
    <updated>2009-05-13T14:53:41Z</updated>
    <category term="city1"/>
    <content type="html">I pictured the boys there, bodies heaped, sweat and dirt and flecks of bright young blood on their clothes. I could hear Blackbird and Robin gasping, crying. Above them Wren and the others breathing hard, the great silence of the north reaches, the unpopulated houses and the broken City streets. &lt;br /&gt;&lt;br /&gt;The whole pathetic arc of it stirred me, I laid a hand on Blackbird's arm. He smiled. Kiki finished the drink, the sun finished its fall. The evening wrapped us up. Which one of us stood first I'm still not sure. We were all together before long, looking away from the sunset, now toward the darker places. Past those pools of orange, down the hill and across the low roofs and lawns here to stare at the ruined Broad Way.  &lt;br /&gt;&lt;br /&gt;"All right. Let's get in there."</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:339296</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/339296.html"/>
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    <title>north wall</title>
    <published>2009-05-12T20:47:15Z</published>
    <updated>2009-05-12T20:47:45Z</updated>
    <category term="city1"/>
    <content type="html">when the gems of midmorning would wound us and we'd swoon with the pure bitter bite of the drinks, the dazzle of the golden liquor. &lt;br /&gt;&lt;br /&gt;What we were doing was toasting ourselves at the edge of the faultlines, toasting our sweet ironies and haute exclamations. But we didn't enter. We hovered at the periphery, again at the periphery, while the City smoldered slowly then burnt right through. &lt;br /&gt;&lt;br /&gt;"I want to tell you—" Blackbird began.&lt;br /&gt;&lt;br /&gt;Kiki interrupting bored, hostile: "This isn't going to be another Spider story, is it?"&lt;br /&gt;&lt;br /&gt;Blackbird answering, all simmer and patience: "I want to tell you what I remember from the places I lived, the northern reaches of the City."&lt;br /&gt;&lt;br /&gt;"Up...uphill?"&lt;br /&gt;&lt;br /&gt;"Uphill of the Market, yes. Some nights I remember every rowhouse, every turn and every terrace. Because they were all the same, you see. Brown upon light brown. White. Red roofs. Or green? This is not one of those nights--"&lt;br /&gt;&lt;br /&gt;--snorts of laughter from us.&lt;br /&gt;&lt;br /&gt;"--this is more a night of remembering how we moved in the City, when the sun was up. And then how we moved in the moonlight. The further north, the more moon you could see. The houses were lighter and lighter, until nearest the wall of the City it was a great canyonmaze of bone heaps laid before the cobbles. Dotted with concrete scoria ejected into the earth from dead projects, forgotten pilings. Weren't these the newest constructions? I wondered. But it was the dirtiest, and worst kept. &lt;br /&gt;&lt;br /&gt;"There we moved more boldly. Caution always marked the start of any of our walks, but we accelerated toward the wall, pulled to its shadows. It was me and the rest of the boys, and we liked to slink among the broken buildings, playing at secret struggles."&lt;br /&gt;&lt;br /&gt;Kiki snickered. Thin smile. Sip. Deep breath.&lt;br /&gt;&lt;br /&gt;Blackbird went on, "Robin was a climber and he reached the high tip of a pylon crested with rebar, thrust his chest, cried, 'We are kings!' I trembled always, watching him. And this time he fell. None of us breathed while he hung there for what felt like hours. In a moment we realized that he &lt;em&gt;did&lt;/em&gt; hang there: his shirt had hooked one of the spikes of rebar, and he dangled by it, legs kicking!" &lt;br /&gt;&lt;br /&gt;"Oh god."&lt;br /&gt;&lt;br /&gt;"Right! We gathered around the base, a perverse kind of maypole dance, hollering up at him while he struggled. We  realized too that he was starting to choke, strangled by the collar. My boy Wren (such pretty eyes he had) searched crazily among the trash for some kind of stick, something to lift him off there. We tried to leap up and grab Robin's legs, they hung just above our hands, kicking. Wren found a length of aluminum, and we held it above our heads, tried to jab into the shirt. To lift Robin I suppose? We didn't exactly know, but we scraped his back and he cried out. We jabbed it into the shirt and finally the strain began to tear the fabric. It gave way and Robin fell directly on me. We collapsed to the dirt, sobbing."</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:337486</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/337486.html"/>
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    <title>Soup recipe</title>
    <published>2009-05-06T23:51:38Z</published>
    <updated>2009-05-08T13:31:52Z</updated>
    <content type="html">&lt;p&gt;4 leeks, washed and trimmed, slice thin&lt;br /&gt;1 large shallot sliced&lt;br /&gt;3 cloves garlic, smashed&lt;br /&gt;3 tbsp stock&lt;/p&gt;&lt;p&gt;Sweat aliums in the stock for five to seven minutes (stock is used to reduce fat, would be very delicious to use oil, butter or ghee)&lt;/p&gt;&lt;p&gt;3 medium tomatoes - about 3/4#, peeled, quartered&lt;br /&gt;1 tbsp cumin&lt;br /&gt;1 clove&lt;br /&gt;1 allspice berry&lt;br /&gt;1/8 tsp cardamom&lt;br /&gt;2 bay leaves&lt;br /&gt;1/2 tsp dried rosemary&lt;br /&gt;1 sprig each fresh rosemary, thyme, sage&lt;br /&gt;1/2 tsp white pepper&lt;br /&gt;1/2 tsp salt&lt;br /&gt;1/2 tbsp oil&lt;/p&gt;&lt;p&gt;Add to aliums and stir. Pour enough stock to cover --approx 3 cups &lt;/p&gt;&lt;p&gt;Boil then simmer for 10mins. Remove herb sprigs and bay.  &lt;br /&gt;Add 1/2 can of great northern beans.&lt;br /&gt;Blend until smooth (or cool and use food mill). Return to stove.&lt;/p&gt;&lt;p&gt;1 yellow pepper, diced&lt;br /&gt;2 medium summer  squash, halved and sliced about a half inch thick&lt;br /&gt;Salt &lt;br /&gt;1 tbsp oil&lt;br /&gt;Sauté until slightly soft. Add to blended soup along with the rest of the beans. Put in a new bay leaf.&lt;/p&gt;&lt;p&gt;Heat through. Adjust seasoning. Garnish with sliced small tomatoes and if you choose, shredded cheese and a sprinkle of cayenne. Serve with bread. &lt;/p&gt;&lt;p&gt;Serves four as a meal, six with accompaniments. &lt;/p&gt;&lt;p&gt;Very easy to make vegan. Quite low fat, very balanced, rich and satisfying.&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;small&gt;Posted via &lt;a href="http://community.livejournal.com/cosysoftware_en/"&gt;LiveJournal.app&lt;/a&gt;.&lt;/small&gt;&lt;/em&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:336896</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/336896.html"/>
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    <title>The complete saga</title>
    <published>2009-05-05T17:26:39Z</published>
    <updated>2009-05-05T17:26:39Z</updated>
    <content type="html">Well, I finally despaired of squeezing any more humor out of &lt;em&gt;Marv Ellis from US Data Corporation&lt;/em&gt;, the artist formerly known as [redacted sales guy] and called his boss. Boss gave me his email address and I just sent off the conversations. Maybe they'll make it right. We'll keep you posted. &lt;br /&gt;&lt;br /&gt;Kelly,&lt;br /&gt;Per our phone call, attached below are the email exchanges I had with Marv in late April. I hope you can see where my concerns are. If opportunities present themselves and if we are a good fit with my clients' needs, I can probably still hear your pitch.  &lt;br /&gt;&lt;br /&gt;Best,&lt;br /&gt;&lt;br /&gt;Jon Olsen&lt;br /&gt;jon@raygunbeliever.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Here's the whole email chain (which most of you have already seen) &lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Marv Ellis&amp;lt;mellis@usdatacorporation.com&amp;gt;&lt;br /&gt;to	jon@raygunbeliever.com&lt;br /&gt;date	Wed, Apr 22, 2009 at 3:15 PM&lt;br /&gt;subject	Us Data--Follow up&lt;br /&gt;&lt;br /&gt;Jon are you serious about moving forward with a marketing list?  Are you wasting our time or did you have a serious need that we can help with.&lt;br /&gt;&lt;br /&gt;Marv Ellis&lt;br /&gt;&lt;br /&gt;Regional Sales Manager&lt;br /&gt;U.S. Data Corporation&lt;br /&gt;Embassy Tower&lt;br /&gt;9300 Underwood Avenue Suite 270&lt;br /&gt;Omaha, NE 68114&lt;br /&gt;Email: mellis@usdatacorporation.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Toll-Free: (888) 578-DATA (3282)&lt;br /&gt;Local: (402) 758-0290 ext. 219&lt;br /&gt;Fax: (402) 502-5623&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;US Data Spring Promotion! – Give your spring marketing campaign a jumpstart with a US Data marketing list. Get 15% Off your first order with our company, and 10% Off every subsequent order during the month of April.  &lt;br /&gt;(Cannot be combined with any other offer, minimum orders are $1000, maximum promotional value is $1000).&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Marv Ellis &amp;lt;mellis@usdatacorporation.com&amp;gt;&lt;br /&gt;date	Wed, Apr 22, 2009 at 4:03 PM&lt;br /&gt;subject	Re: Us Data--Follow up&lt;br /&gt;mailed-by	gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Woah Marv, hold on a second with the  "wasting our time" bit. I thought when I filled out the get-a-quote form that I identified some of the things I was looking for.  I appreciate the clarity of purpose and firm resolve you demonstrate on your follow through, but maybe this is a little stronger worded than you need it to be for a potential customer. &lt;br /&gt;&lt;br /&gt;That said, I operate a small B2B business for other small businesses. I am scoping on behalf of my own clients who are a liquor store chain and small regional distributor. And I want to know the following four items: &lt;br /&gt;What kind of list segmentation can US Data perform your lists? My clients' interest is going to run toward consumers, segmented by age groups (21+ obviously), zip codes, and income.&lt;br /&gt;What is your method: do your clients acquire lists or do you do the sending and we have the option to deliver creative?&lt;br /&gt;What are the cost and unit sizes for your lists according to some of the selection criteria identified above? &lt;br /&gt;What does your reporting look like?&lt;br /&gt;That'll do it. Now is that serious enough or should I give my clients the quotes I have from your competitors plus my margin?&lt;br /&gt;&lt;br /&gt;Regards,&lt;br /&gt;&lt;br /&gt;Jon Olsen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Jon Olsen &amp;lt;jon@raygunbeliever.com&amp;gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;date	Wed, Apr 22, 2009 at 4:13 PM&lt;br /&gt;subject	RE: Us Data--Follow up&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Well apparently it worked………..you finally responded.  Oh and go ahead give them the other quotes, safe to assume your quoting brokered data which we all know how well that works.  As you know we are a compiler and we choose who we work with not the other way around.  Again if you are serious about discussing a partnership then let me know a good time to get on the the phone to discuss. &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;We may not be a match, hard to say.  Thank you for the response.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Marv Ellis&lt;br /&gt;Regional Sales Manager&lt;br /&gt;U.S. Data Corporation&lt;br /&gt;Embassy Tower&lt;br /&gt;9300 Underwood Avenue Suite 270&lt;br /&gt;Omaha, NE 68114&lt;br /&gt;Email: mellis@usdatacorporation.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Toll-Free: (888) 578-DATA (3282)&lt;br /&gt;Local: (402) 758-0290 ext. 219&lt;br /&gt;Fax: (402) 502-5623&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;US Data Spring Promotion! – Give your spring marketing campaign a jumpstart with a US Data marketing list. Get 15% Off your first order with our company, and 10% Off every subsequent order during the month of April.  &lt;br /&gt;(Cannot be combined with any other offer, minimum orders are $1000, maximum promotional value is $1000).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Jon Olsen&amp;lt;jon@raygunbeliever.com&amp;gt;&lt;br /&gt;to	Marv Ellis &amp;lt;mellis@usdatacorporation.com&amp;gt;&lt;br /&gt;date	Wed, Apr 22, 2009 at 9:28 PM&lt;br /&gt;subject	Re: Us Data--Follow up&lt;br /&gt;mailed-by	gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Marv!&lt;br /&gt;&lt;br /&gt;It did work; you must say that to all the businesses! You are correct, I AM looking for brokered data and I agree, we likely will not be a perfect match. &lt;br /&gt;&lt;br /&gt;Your PPC guys must be going crazy. They have to hate it that leads who click their carefully made ads can't tell that it's US Data who does the choosing, and not the other way around. Maybe they could reduce their spend, since the customer's shopping process is evidently immaterial. Once they learn the inside sales reps have eliminated the need for attracting customers, it should make budget negotiations much easier.&lt;br /&gt;&lt;br /&gt;As requested, I'll keep your number. I can foresee a time when someone I work with insists I put on a nice suit, buy flowers, and beg you to take me back.  &lt;br /&gt;&lt;br /&gt;Best,&lt;br /&gt;JonO      &lt;br /&gt;&lt;br /&gt;from	Marv Ellis&amp;lt;mellis@usdatacorporation.com&amp;gt;&lt;br /&gt;to	Jon Olsen &amp;lt;jon@raygunbeliever.com&amp;gt;&lt;br /&gt;date	Thu, Apr 23, 2009 at 8:21 AM&lt;br /&gt;subject	RE: Us Data--Follow up&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We attract customers that are truly interested in purchasing quality data, not bargain basement shoppers like yourself.  Save the suit, your probably much more comfortable working from moms basement in your pajamas.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Good day and I hope all works out for you.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Best,&lt;br /&gt;&lt;br /&gt;Marv&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Marv Ellis&lt;br /&gt;&lt;br /&gt;Regional Sales Manager&lt;br /&gt;U.S. Data Corporation&lt;br /&gt;Embassy Tower&lt;br /&gt;9300 Underwood Avenue Suite 270&lt;br /&gt;Omaha, NE 68114&lt;br /&gt;Email: mellis@usdatacorporation.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Toll-Free: (888) 578-DATA (3282)&lt;br /&gt;Local: (402) 758-0290 ext. 219&lt;br /&gt;Fax: (402) 502-5623&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;US Data Spring Promotion! – Give your spring marketing campaign a jumpstart with a US Data marketing list. Get 15% Off your first order with our company, and 10% Off every subsequent order during the month of April.  &lt;br /&gt;(Cannot be combined with any other offer, minimum orders are $1000, maximum promotional value is $1000).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;from	Jon Olsen&amp;lt;jon@raygunbeliever.com&amp;gt;&lt;br /&gt;to	Marv Ellis &amp;lt;mellis@usdatacorporation.com&amp;gt;&lt;br /&gt;date	Thu, Apr 23, 2009 at 10:30 AM&lt;br /&gt;subject	Re: Us Data--Follow up&lt;br /&gt;mailed-by	gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Dearest Marvin,&lt;br /&gt;&lt;br /&gt;Oh, no no surely I have given you the wrong idea! Our office is on the ground floor, and when you are next in the Twin Cities, do come by for the tour. We shall have butternut squash and bacon canapes (my own recipe). And I make a lovely Aviation cocktail which I'm told inspires many to feats of the most grandiose entrepreneurship and unparalleled client service. I'll introduce you to the wife and kids and you can even examine our data center.   &lt;br /&gt;&lt;br /&gt;And my dear mother, bless her soul, is hundreds of miles away pining for her grandchildren. It was certainly a difficult time in our lives, living under her roof those many years ago. She loathed our noisy dog and stifled her anxieties for my pride's sake while we sought to get back on our feet. What a strong and vigorous woman. Do you know that she is already 71? Seventy-one! I will tell her you asked after her, she'll be so pleased. &lt;br /&gt;&lt;br /&gt;The dog, of course, had to be put down. &lt;br /&gt;&lt;br /&gt;Warm regards,&lt;br /&gt;&lt;br /&gt;Jon&lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:burnunit:336395</id>
    <link rel="alternate" type="text/html" href="http://burnunit.livejournal.com/336395.html"/>
    <link rel="self" type="text/xml" href="http://burnunit.livejournal.com/data/atom/?itemid=336395"/>
    <title>LOST</title>
    <published>2009-05-04T15:34:51Z</published>
    <updated>2009-05-05T12:37:34Z</updated>
    <category term="tv"/>
    <content type="html">&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;Dead people on LOST don't tend to stay dead. Faraday may be &lt;em&gt;dead&lt;/em&gt;, but he could still show up in &lt;em&gt;every remaining episode&lt;/em&gt; and the writers could make it work. &lt;br /&gt;&lt;br /&gt;Why are people so confused about the time travel stuff? "Is Faraday dead? How can he be dead in the past and still have existed in 2004 ?" "Why don't people remember they were in the past?" &lt;br /&gt;&lt;em&gt;how many times do they have to say "this is our present" before you people get it??&lt;/em&gt; I mean DAMN. The &lt;em&gt;adult&lt;/em&gt; Faraday is the person who was shot in 1977. Up until 2004-5 he was living through OUR present, so the child Faraday and the young man Faraday, who were raised off the island, were not exposed to any of the events of his shooting in 1977. Then when he reached adulthood in 2004-5, he went back to 1974, as an adult. He had &lt;em&gt;left&lt;/em&gt; the time stream in 2005 and moved to a new present (sure, it's &lt;em&gt;our&lt;/em&gt; past, but it's still &lt;em&gt;his new present&lt;/em&gt;). Then he was shot. Why is this confusing? &lt;br /&gt;&lt;br /&gt;70s-80s&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;90s&amp;nbsp;&amp;nbsp;&amp;nbsp;2000s&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;70s           &lt;br /&gt;---------&amp;gt;--------&amp;gt;-------&amp;gt;||--------&amp;gt;\\&lt;br /&gt;&lt;span style="font-size:9px;"&gt;childhood&amp;nbsp;&amp;nbsp;&amp;nbsp;oxford&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Kahana&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;ann arbor&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;shot on island&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;That line? That's his consciousness of the present. To him, it's a straight line, even though there are discontinuities within the line, his living present still maintains. This is all very clear to me and annoying when other people are confused. Same with Sayid, same with everyone. They don't remember the events of the past because they weren't adults in the past, they were children. They came to the past after becoming adults. Their consciousness retains its forward perception, even if their location in time has changed. &lt;br /&gt;&lt;br /&gt;Jeeez. This could not be any easier. &lt;br /&gt;&lt;br /&gt;That dispensed with, I am &lt;em&gt;also&lt;/em&gt; just fine if the writers choose to "undo" everything by dropping Jughead into the Swan site energy and resetting the timeline. Yes, it might be unsatisfactory, but I believe they could still &lt;em&gt;write it convincingly and affectingly&lt;/em&gt;. I don't think that I &lt;em&gt;want&lt;/em&gt; the series to end that way next year, but I have faith that the &lt;em&gt;story&lt;/em&gt; is going to unfold the way it should, regardless. &lt;br /&gt;&lt;br /&gt;It felt a little tiny bit rushed and out of character that Daniel all of a sudden wanted to change the past and was so determined to do so after saying "whatever happened happened" so consistently for so long. As a parallel episode to "The Constant", "The Variable" doesn't of course carry the punch of that one (name an episode that does?). However, I still retain the faith that the writers are determined to see this through and that we'll get some more things we need to reach satisfying ends for the story.  &lt;br /&gt;&lt;br /&gt;</content>
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